If I asked you how you tell a good photo, or a professionally-taken photo, it’s likely you would answer that it must be sharp and with the right areas in focus, and if you were a bit artsy you might like some ‘bokeh’, and that the composition should be on point.
Minku has had quite the photographic journey in the last seven years, a journey during which I unwittingly became a photographer, with a specialty in mostly product and portraiture.
Besides needing quick turnaround times for product photos to be used for the e-store and social media pages, I also ran into some scheduling challenges with the photographer I usually work with, who is based in California. The most recent round of challenges motivated me to both find photographers to work with locally, and refine my own photography abilities further.
For product shots, I’m still on board the dslr train, but for social media captures, I’ve started the transition to film. Film is more organic, the light is more like how I see the world, the edges don’t look so HDR, the smiles are softer, the wrinkles are more forgiven (yes, see what I did there), the hair is softer, the reds are pinker. Film is what my earliest memories were captured in; it is how I grew up seeing the world.
For every film photo I’ve kept in my recent rediscovery of the medium, I’ve discarded one. Still, that’s ok. I’m still learning my camera, and it’s not a complex one. I realize, too, that the complexity of the heavier, electronic cameras didn’t hold the solution to the organicness I sought. Photography is just my means of expressing myself, and with film, I realize I’m skipping the editing because the colors and textures, two things with which I hold an irrational preoccupation, are coming out perfectly. With electronic cameras,the hue was always too blue, the textures too sharp, the definition too high.
I am Goldilocks. With film, it’s just right.